DEJECTION

(C) JOHN FANSMITH 2018

DEJECTION, like all the three dimensional pieces in the “Cognitive Emotions” Series relies on the primary contour of the piece to evoke a particular emotion  and the glaze pattern and color to explore the role of cognition in that emotion. In DEJECTION the figure is erect but the head has a downcast aspect and a subdued and somber color. Hand built and raku fired using artist made paper clay. 15” x 12” x 11” on an MDF base.

 

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ARTS BENICIA – CUTTING EDGE: NONTRADITIONAL GLASS SHOW

Eruption_Cumberland WM

I am very pleased to announce that jurors Carrie Lederer and Mary B. White have chosen my stained glass/paper clay pieces ERUPTION, LAGOON, and SANDBAR for inclusion in the Arts Benicia Show: Cutting Edge: Nontraditional Glass. The show will be held at the Arts Benicia Galleries at 991 Tyler Street, Suite 114, Benicia, California, 94510 and will run from Saturday, July 21st until Tuesday, August 28th. There will be a reception from 6 to 8 pm on July 21st, and the pieces will be on sale, so, if you’re in the neighborhood, drop in.

REMORSE

OLYMPUS DIGITAL CAMERA

In REMORSE, part of the “Cognitive Emotions” Series, the slumped posture of the figure and inclination of the head project the emotion and the color of the head in relation to the overall color of the figure signifies the importance of cognition in this emotion. Hand built and raku fired using artist made paper clay. 10 ½” x 8” x 7” on an MDF base.

 

VIGILANCE

(C) JOHN FANSMITH 2018

In VIGILANCE, part of the “Cognitive Emotions” Series, the primary contour is intended to convey a sense of alert watchfulness while the colors within the piece indicate that this is a controlled emotion with a strong cognitive element. Hand built and raku fired using artist made paper clay. 10 ½” x 8” x 7” on an MDF base.

SKEPTICISM

(C) JOHN FANSMITH 2018

To me, skepticism is one of the emotions with the greatest amount of thought involved in it. In SKEPTICISM, part of the “Cognitive Emotions” Series, the cognitive element, represented by the bright gold/copper color of the head and upper part of the figure, is the dominant feature of the piece with the more nuanced “emotional” colors taking a secondary role. In profile the figure is leaning back and away from what is being presented and the head is inclined slightly but skeptically. 16” x 12” x 10 ½” on an MDF base.

REVULSION

(C) JOHN FANSMITH 2018

REVULSION is one of the strongest pure emotional pieces in the “Cognitive Emotions” Series containing the least cognitive involvement. The figure is twisted, turning away and pulling back from what is in front of it – an instinctive and unthinking reaction. The color is strong and consistent throughout the piece showing the depth of the emotion. Hand built and raku fired using artist made paper clay. 10 3/8” x 8” x 7” on an MDF base.

SANDS OF TIME – PORTRAIT OF A MENTOR

(C) JOHN FANSMITH 2018

SANDS OF TIME – PORTRAIT OF A MENTOR is a mixed media sculptural piece combining a hand-built, raku-fired ceramic head with a glass tile base.  This piece, for me, evokes the image of an artifact emerging from the sands outside Luxor.  The rest of the title comes from my mentor (and friend) Carol Stirton-Broad, who happened to wear an outfit on the day I was finalizing the design that reflected the pattern, the color and the tone of the tiles I was planning to use for the base.  18″x5.5″x7.5″,