TEMPERED

(C) JOHN FANSMITH 2017

TEMPERED is a two part, layered print/collage in which the background is a hard surface monotype, and the overlaid facial image is a collographic monoprint using a plate from my AN AMERICAN FACE Series. The word “tempered” can mean different things, particularly in this context, and I will leave each viewer to decide what it means to them. Image: 9” x 5”, Matted and framed to 14” x 10”.

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Untitled

© JOHN FANSMITH 2017

In most of my work, regardless of medium, I’m a story teller making a comment or statement from my own particular (or peculiar) point of view and the title is an integral part of the piece. UNTITLED is different: I’m leaving it up to each individual viewer to see what they will in the piece and to set their own narrative as to what has happened, is happening, or is going to happen. UNTITLED is a hand inked and hand pulled double plate collographic monoprint which uses one of the plates from the AN AMERICAN FACE Series and an offset mat. Matted and framed to 16” x 12”.

 

 

AN AMERICAN FACE #3

(C) JOHN FANSMITH 2017

AN AMERICAN FACE #3, a hand inked and hand pulled collographic monoprint, continues the experiment of using hand woven paper as printing surface that I started with DANCE OF THE PENGUINS: SOLO # 11. It is part of a series of  images designed specifically for hand woven paper, attempting to combine the angles and features of the human face with the textural aspects of the woven paper and a layered application of ink. Matted and framed to 18” x 14”.

 

AN AMERICAN FACE #2

(C) JOHN FANSMITH 2017

AN AMERICAN FACE #2, a hand inked and hand pulled collographic monoprint, continues the experiment of using hand woven paper as printing surface that I started with DANCE OF THE PENGUINS: SOLO # 11. It is part of a series of  images designed specifically for hand woven paper, attempting to combine the angles and features of the human face with the textural aspects of the woven paper and a layered application of ink. Matted and framed to 18” x 14”.

Left Index

(C) JOHN FANSMITH 2017

LEFT INDEX, a hand inked and hand pulled collographic monoprint, unlike the FOCAL POINT, CONTOURS OF FLIGHT, and LINEAR THOUGHT Series, uses irregular and non-geometric design elements and solid color blocks to create a somewhat more representational and less abstract image. LEFT INDEX is the first in a series of probably ten prints. Matted and framed to 18” x 14″.

LINEAR THOUGHTS: TRYING TO FOCUS

(C) 2017 JPHN FANSMITH
LINEAR THOUGHTS: TRYING TO FOCUS is a paper collage created by weaving together two of my hand inked, hand pulled collographic monoprints from the LINEAR THOUGHTS Series. Like REDEYE TO THE COAST and NAVIGATING THE ROUNDABOUTS it is part of my effort to explore the possibility of using my prints in broader ways such as in mixed media and collage pieces. Image: 7” x 9 ½”, Matted and framed to 11” x 14”

DANCE OF THE PENGUINS: SOLO #11

(C) JOHN FANSMITH 2017

The DANCE OF THE PENGUINS Series originally started out as part of an exploration into using multiple plates printed simultaneously to create a single image. I was (and am) also exploring expanding the use and presentation of my prints, as for example the woven paper piece LINEAR THOUGHTS: TRYING TO FOCUS. After completing that piece, I was curious about what would happen if I wove the paper before printing on it and DANCE OF THE PENGUINS: SOLO #11 was the result, a hand inked, hand pulled collographic monoprint on hand woven paper. Matted and Framed to 18” x  14”