APOCALYPSE

(C) JOHN FANSMITH 2017

APOCALYPSE, a double plate collographic monoprint, the first non-ceramic piece in my Summer, 2017 “Hooded Figure” series, uses stylized black and white oval figures set against a roiling orange/red/black background to illustrate a central theme from the Book of Revelations. Hand inked and hand pulled. Image: 14” x 21 ½”, matted and framed to 22” x 28”.

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NUCLEAR FAMILY: 2018

(C) JOHN FANSMITH 2017

NUCLEAR FAMILY: 2018 is a combination print and collage which superimposes two images (male and female) from my AN AMERICAN FACE Series on a hard surface monotype background in order to emphasize one of the many risks that the “nuclear family” will face in 2018. The angles and palette of the background, the merging of the images with the background at points, the disembodied nature of the images and the thin black border line all point to the other use of the term “nuclear”. Matted and framed to 18” x 14”.

AN AMERICAN FACE: SELF – PORTRAIT

(C) JOHN FANSMITH 2017

Our family has a saying, “You don’t grow old on this side of your eyes”. AN AMERICAN FACE:  SELF – PORTRAIT, is my way of putting that saying to the test as well as my eye sight and artistic abilities. Not really sure if any of the three passed it. AN AMERICAN FACE:  SELF – PORTRAIT is a hand inked and hand pulled collograph. Matted and framed to 18” x 14”.

TEMPERED

(C) JOHN FANSMITH 2017

TEMPERED is a two part, layered print/collage in which the background is a hard surface monotype, and the overlaid facial image is a collographic monoprint using a plate from my AN AMERICAN FACE Series. The word “tempered” can mean different things, particularly in this context, and I will leave each viewer to decide what it means to them. Image: 9” x 5”, Matted and framed to 14” x 10”.

Untitled

© JOHN FANSMITH 2017

In most of my work, regardless of medium, I’m a story teller making a comment or statement from my own particular (or peculiar) point of view and the title is an integral part of the piece. UNTITLED is different: I’m leaving it up to each individual viewer to see what they will in the piece and to set their own narrative as to what has happened, is happening, or is going to happen. UNTITLED is a hand inked and hand pulled double plate collographic monoprint which uses one of the plates from the AN AMERICAN FACE Series and an offset mat. Matted and framed to 16” x 12”.

 

 

AN AMERICAN FACE #3

(C) JOHN FANSMITH 2017

AN AMERICAN FACE #3, a hand inked and hand pulled collographic monoprint, continues the experiment of using hand woven paper as printing surface that I started with DANCE OF THE PENGUINS: SOLO # 11. It is part of a series of  images designed specifically for hand woven paper, attempting to combine the angles and features of the human face with the textural aspects of the woven paper and a layered application of ink. Matted and framed to 18” x 14”.

 

AN AMERICAN FACE #2

(C) JOHN FANSMITH 2017

AN AMERICAN FACE #2, a hand inked and hand pulled collographic monoprint, continues the experiment of using hand woven paper as printing surface that I started with DANCE OF THE PENGUINS: SOLO # 11. It is part of a series of  images designed specifically for hand woven paper, attempting to combine the angles and features of the human face with the textural aspects of the woven paper and a layered application of ink. Matted and framed to 18” x 14”.