COLLABORATING WITH POLISTES

(C) JOHN FANSMITH 2017

COLLABORATING WITH POLISTES is all about integrating different forms of paper into a sculptural piece. The top portion is a paper wasp nest (genus Polistes) which I found in a Koosa Dogwood tree when the leaves came down last October. The wasps made the paper by mixing plant material and saliva. The base portion is hand built and Raku fired paper clay. I made the paper clay by mixing rehydrated scrap clay and recycled newspapers. Both the wasps and I shaped our portions to meet our particular needs. No wasps were harmed in the making of COLLABORATING WITH POLISTES. 30” x 18” x 10”

 

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ERUPTION (AT THE HOT GLASS SHOW)

(C) JOHN FANSMITH 2017

 

I am very pleased to announce that juror Nancy Weisser,  invited my stained glass/ceramic piece, ERUPTION, into the Allegany Arts Council’s HOT GLASS EXHIBITION & COMPETITION. ERUPTION will be on view at their Saville Gallery, 9 N. Centre St, Cumberland, MD from August 12th until September 2nd 2017. Cumberland MD is a delightful town and the Show reception on Saturday, August 19th was a lot of fun.  In addition to juror Nancy Weisser, I had the chance to meet and talk with a number of very talented “hot glass” artists from around the country. After seeing the show I was even happier to be a part of it.

ON SUBWAY WALLS

 

(C) JOHN FANSMITH 2017

Like …AND TENEMENT HALLS, ON SUBWAY WALLS is a colored paper collage which draws from the Simon and Garfunkel song The Sounds of Silence. While the materials and palette in both pieces are essentially the same (heavy paper/ thin cardboard – cut from advertising and packaging materials), changing the background from white to black and eliminating internal “negative space” darkens the tone and sets the piece underground. In the song, the phrase “on the subway walls” precedes “and tenement halls”, but for me, in doing the collages, the initial working image was of a cityscape and the subway developed as a companion piece. Matted and framed to 12” x 16”.

 

…AND TENEMENT HALLS

 

(C) JOHN FANSMITH 2017

The title for my colored paper collage, …AND TENEMENT HALLS, comes from part of an iconic line in the Simon and Garfunkel song The Sounds of Silence; although my choice of palette is probably a more colorful and upbeat presentation than an accurate one. There is little point in having artistic license if you can’t abuse it now and then. Matted and framed to 12” x 16”.

 

 

TROPHY: THE LAST RED-CRESTED WATCHAMACALLIT

(C) JOHN FANSMITH 2017

I’ve never really understood the “sport” of trophy hunting, particularly when the “trophy” is not something capable of hunting you back. For food or fur, okay, but just for a head to hang on a wall? Having said that, TROPHY: THE LAST RED-CRESTED WATCHAMACALLIT represents my first, and probably last, venture into the art of trophy gathering of endangered species. TROPHY: THE LAST RED-CRESTED WATCHAMACALLIT is a mosaic/mixed media wall hanging composed of glass, hand built paper clay, marbles and MDF. 12”H x 7 ½”W x 10”D

DANCE OF THE PENGUINS: SOLO #11

(C) JOHN FANSMITH 2017

The DANCE OF THE PENGUINS Series originally started out as part of an exploration into using multiple plates printed simultaneously to create a single image. I was (and am) also exploring expanding the use and presentation of my prints, as for example the woven paper piece LINEAR THOUGHTS: TRYING TO FOCUS. After completing that piece, I was curious about what would happen if I wove the paper before printing on it and DANCE OF THE PENGUINS: SOLO #11 was the result, a hand inked, hand pulled collographic monoprint on hand woven paper. Matted and Framed to 18” x  14”

Holy Moly!

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I am pleased to announce that juror Niza Knoll has invited my mixed media sculpture, Moses Warms His Hands, into the “Holy Moly: Religious Commentary in Contemporary Art” Show. Moses Warms His Hands may be seen at the Niza Knoll Gallery, 915 Santa Fe Drive, Denver, CO 80204 from December 16, 2016 until January 28, 2017.