THE ROOTS OF DANCE started out with me finding some driftwood on a lakeshore which when combined together (with minor trimming) reminded me of a pair of dancers from a recently seen contemporary dance performance. I hope and believe that my ROOTS OF DANCE comes close to capturing the grace, power and enthusiasm of the original dancers. Found objects on an artist-made wooden base. 12” x 9” x 6 ½”
REACHING FOR HOPE is part of the “Expressive Hands” Series. Hand built from my own hand- made paper clay and raku fired using three different raku glazes, REACHING FOR HOPE poses a question for the viewer: is the lower hand helping or hindering, raising or pulling down? I must admit that my answer changes from time to time depending on my mood and recent experiences- straddling the thin line between optimism and pessimism. 9 ½” x 4” x 4”
NIGHT WATCH, a mixed media sculpture and off-shoot of the “Hooded Figure” series, pulls back the hood and adds a helmet, a shield, chain mail, and a torch, thereby moving away from the abstract form of the original pieces in the series to a more detailed and representational expression. Hand built and raku fired paper clay with steel wire, forsythia and Epoxy Sculpt on gneiss and set on an MDF base plate. 7 ½” x 8 ¾” x 3”
In THE HAND OF MAN, part of my “Expressive Hands” series, the hand is holding the Earth which is not attached and can be dropped if one is not careful, perhaps not unlike reality. Hand built and raku fired paper clay with an unglazed paper clay “Earth”. 5” x 3 ½” x 4”
HOLDING ONTO HOPE, like AN OLD MAN’S PRAYER, is part of my “Expressive Hands” series. In this piece the hand is neither open nor closed. What it is holding onto is so ephemeral it cannot be seen, yet life requires that it must be held. Hand built and raku fired paper clay. 5” x 3 ¾” x 4”
AN OLD MAN’S PRAYER is part of a new series “Expressive Hands” which I plan to work on this Fall. In this piece the fingers are bent with time and wear. Expectations have been colored by the disappointments and trials of life but there is hope – perhaps this time. Hand built and raku fired paper clay. 5” x 5” x 3 ½”
SANTA MUERTE #5, the fifth, and probably last, piece in the Santa Muerte: Patron Saint of Wall Builders series is my comment on the perceived relation of a religious cult in Mexico to the idea of building a “great” wall on the border. Hand built of paper clay, glazed and fired to Cone 05, w/colored resin, lacquer, and a plastic vulture (it seemed appropriate) added.