CHRYSTALIS, hand built with extruded elements from stoneware and raku fired, gets its title from the combination of two words: chrysalis and crystal. Normally used in reference to one of the life stages of a butterfly, the definition of chrysalis includes “anything in a formative or undeveloped state” a concept represented here by the dark, rough textured, unglazed and amorphous base portion of CHRYSTALIS. In contrast, the top portion, the crystals, is highly formed, smooth, geometrically shaped, glazed and glossy. CHRYSTALIS is all about combining these two disparate concepts in a single image (and then successfully firing it). 7 ½ “ x 10” x 8 ½”
EDEN’S END, drawing on the Biblical imagery of the Book of Genesis, while appearing to be hammered metal, in fact, consists of four pieces of hand built and raku fired stoneware secured to a piece of split and hand sanded cherry, by wooden dowels and epoxy sculpt. The legs are of various lengths to accommodate the unevenness of the base. 7 ½”H x 19”W x 7”D.
I’ve never really understood the “sport” of trophy hunting, particularly when the “trophy” is not something capable of hunting you back. For food or fur, okay, but just for a head to hang on a wall? Having said that, TROPHY: THE LAST RED-CRESTED WATCHAMACALLIT represents my first, and probably last, venture into the art of trophy gathering of endangered species. TROPHY: THE LAST RED-CRESTED WATCHAMACALLIT is a mosaic/mixed media wall hanging composed of glass, hand built paper clay, marbles and MDF. 12”H x 7 ½”W x 10”D
Virgin Sacrifice #1 is part of my exploration of using stained glass and paper clay in mixed media sculptural pieces. The skulls in this prototype piece are commercially available molded plastic, but I hope to master the 3-D printer well enough to create custom designed pieces. Virgin Sacrifice #1 takes the Floxnia format to a more complex form and perhaps into a different dimension. 10″ x 10″ x 10″